Chloe Jiyeong Mun in Warsaw with playing of such subtle artistry, ravishing colours and passion.
From three Mazurkas op 56 played with an improvisatory freedom of such colour and fantasy with a pervading feeling of nostalgia and yearning. There was frenzy too in the folk dance of the second but such a wondrous sense of the subdued passion of a great statement in the last.
Read more at Christopher Axworthy’s blog
